Self-Critique

Overall, I think my animation is not very successful. It did not turn out the way I wanted it to be. I encountered a few problems that I cannot solve. I wanted my second box to fall right into place but the parent constraints had some problems and I cannot make it drop on to the platform for some reason. I used the following principles of animaton:
1)Exaggeration- When he is shaking in all kinds of directions to get the box that was stuck off.

2)Timing-The shaking started fast at first and guadually got slower when Sam got tired.

3)Arcs-The turning actions that Sam made when placing the boxes.

4)Straight ahead action and pose to pose- The shaking starts slow at first before and changes speed in the middle, Sam also changes his pose from turning left to the right rapidly.

Storyboard & Character

Storyboard

Sam is working by himself.

Sam's job is to move the boxes from one side to the other.

He tried to put down the box he is moving but he realised the box is stucked and he cannot let go of the box.

He started turning left and right to try to shake off the box that was stuck in his arm.

He also tried to shake up and down too.

He then tried to slam it on the the other boxes.

The box is finally shaken off and moved to the right area with other boxes.

Character of Sam 'The hardworking robot'
Sam is very serious in getting his work(which is transporting boxes) done before he leaves for home. He always finishes his workload way before the deadline.  He is well-liked by everyone and is often complimented by his boss for being competent in his work.

(scenario 5)
The name of my robot is Sam.
*Sam's thoughts while lifting boxes*
Yes, 1 hour till work ends. I have got only a few more boxes to move.  I'm so tired. I can't wait to get home and rest! *Box gets stuck* What happened?! Why can't I get this box off me?! This is so irritating! Oh, wait! I got an idea! Maybe if I keep slamming the box. The box might just dropped out on its own! Alright, I think it might work!

Rigging

1)  Apart from their different sizes, it is obvious from Luxo Jr. that the big lamp is “older” and that the small lamp is “younger”. How is this communicated by the animation? Give at least THREE examples.

Do NOT say because the small lamp is playing with a ball, or that its name is Luxo Jr. – you should be looking at the animation, how the lamps move and emote (emote means to express emotions).

The big lamp has a duller color and the light it has is dimmer in comparison to the small lamp. The big lamp's movement are slower than the small lamp. The big lamp keeps looking at whenever the small lamp go and shakes its head when he sees that the small lamp is so energetic. The big lamp has a more 'adult-like' response towards the ball.

2)  Give an example from Luxo Jr of how timing is used for comic effect. Explain how the timing decision contribute to the humour.

I find it rather timely when Luxor Jr went out of the video screen to get a even bigger ball even though he just flattened the small one. It made me laughed a little. It surprised the viewers at first because we did not expect what happens next.

3)   When you create a joint chain, these form a hierarchy, with the first joint at the top and the last joint at the bottom. Explain why this is necessary for the joints to work properly.

This is because in hierarchy the ones at the top controls the ones at the bottom. If the one at the top moves to the right, the ones that is jointed at the bottom follows through. On the other hand, if you move the last joint at the bottom., the ones above will not follow.

Maya bouncing ball tutorial videos reflection questions

After watching the 2 hour tutorial of bouncing ball. I learnt alot about the basics of using Maya to create animation. For example, I learnt how to apply a bump map, setting up the camera and rotation.

1) Do you need to draw well to create good 2D animation? Explain your view.
Yes, I think you need to draw well in order to create good 2d animation. 2D animation is drawn using hand therefore the artist must be good in drawing. All else nobody would want to watch 2D animations that has poorly drawn characters.

2) Do you need to be able to draw well to create 3D animation? Explain your view.
No. I do not think that you need to draw well to create good 3D animation. Unlike 2D animation, 3D animations are created using softwares like Maya. It is presented using 3D models rather than 2D drawings. I think the 3D animators just need to have a creative imagination.

3) What do you think would separate a piece of animation from a piece of good animation? In other words, how would you go about deciding if a piece of animation is good or bad?
I would decide whether the animation is good or bad by looking at how the characters move. I think the charcters must move in a natural and realistic way, so that it would look convincing to me. The facial movements of the charcters must react accordingly to what is happening in the story. They should also avoid cliched poses and reactions, while still being able think up new ways to surprise the audience.

4) In 2D animation, you need to be aware of timing at a frame by frame level, using timing charts and other techniques- but for 3d animation, this is handled using graph editor, which is more concerned with manipulating rates of change over time. Does this affect how you approach your animation work? Explain.
Yes, it does affect how I approach my work. I think 3D animation suits me better as using a graph editor is more efficient for me rather than having to draw the animation out.

5)Give a brief critique of Maya as an animation tool. Don't just say Maya makes animation difficult , or easy, or that you need to learn a lot of stuff to use Maya- explain what Maya does well and not so well in terms of creating animation.
I think Maya is quite well rounded in creating animation. I did not encounter major problems in using the software. Maya makes the 3D animation rather realistis and smooth in my opinion. I cannot give much critiques about it as this is the only 3D software I have ever used to create animation. Overall, it is very easy to use and I do not have any problems with it. It is a great animation tool.

Squash And Stretch Bouncing Ball In Maya

Improved version

This is the bouncing ball that is created with squash and stretch. I learn how to use a deformer to create a "squash effect" on the ball bouncing across the screen.

1) Why is squash and stretch so useful in animation?

I think it helps to give more life to the ball. The ball changes shape whenever it hits the ground. It is like a reaction from it. It is also more interesting to watch too.

2) Think of a situation in which extreme squash and stretch could be applied to a character - try to be original.

A baby is pinching/pulling her sister's cheek while she is carrying him. 

3) Think of an animation example where squash and stretch would NOT be appropriate.

A person playing baseball. The ball is hard and cannot be squashed and stretched.

4) If squash and stretch doesn't really happen so obviously in real life, why do you think is it so effective in animation?
(Look at the title of Disney animator Ollie Johnston's famous book about animation - do an Amazon search ... there's a clue in the title!)

I think it's effective in animation because it makes the animation more exaggerated.

Bouncing ball (Maya)

I learnt how to set key frames and make a bouncing ball animation in Maya. I learnt how to edit the curves using the graph editor. I think this exercise helps me understand better on animation.

Bouncing Ball animation in Pencil

Bouncing ball animation that is created using Pencil